We’ll toast the end of the semester following the presentations. Andy Yan examines the ownership patterns of real estate in New York City, with a focus on Manhattan’s Chinatown, and investigate the relationships (if any) between these patterns and transnational flows of people and capital from China, Hong Kong, and Taiwan. This exclusive palette includes 12 colors of ultra-silky and lustrous eyeshadow colors, allowing for a smooth and flawless application. Ryan Wong shares his findings on the development of Asian American identity through activist and artistic practices of the 1970s and 80s. Beatrice Glow channels the Apprentice of the Ghost of Gauguin, divulging western-centric social imaginaries through a carousel of color and spices–all part of her artist book project, Post-Colonial Pantone Palette. Selma Bidlingmaier traces the current housing crisis in New York City to the twentieth century Progressive Movement, during which time a system of meritocracy, informed by discourses of Social Darwinism and eugenics, created social hierarchies based on imperialist taxonomies of race and cultural assimilation. This semester, the Institute hosts its second Scholar Slam featuring 10-minute (and 10-slide) presentations from current Visiting Scholars. It also describes everybody’s desire to change the world. Even though many people love the poet, he still wants someone that’ll give him a chance. It triggers emotions that’ll make you smile. Each year, the A/P/A Institute at NYU sponsors scholars and artists to further research projects using the libraries and archives at NYU. Give Me a Chance by Beau Sia: This is a slam poem, which has some comedy.
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